Wind Turbines

I took this one a few days ago on one of my few days ago with a 'tog buddy. I thought we'd get some great photos but it was a bit of a nightmare composition wise and the great light that kept creeping through the clouds pretty much vanished. I was trying to use the fence as a leading line on this one to lead the eye into the turbine and the mean looking clouds, I did do a sepia version but decided to stay with colour this time. I was doing a product shot for a fan (air fan, not someone who loves my work) and made a composite image with the fan replacing the turbine which looked ok. Anyway the info on this one is ISO200, 16mm 1/80 f/8, I was hand holding and needed a reasonably fast shutter to stop the blades I also had a polariser on which cuts light by about 2 stops, but worth it if you have blue skies and clouds.

Landscapes Part 2

A similar one to yesterdays post with slightly different colours used during the mono conversion. I had to wait a while for the light to be right. Again processed in LR for clarity and spot removal, I really need to give the sensor a bit of a scrub! This one was taken in aperture priority, as most of my landscapes are, exposing for the land and using a 3 stop graduated filter to keep the clouds from blowing out.
The data was ISO100, f/16, 16mm 1/13 sec. Hopefully I'll process some lake shots today and resist the urge to turn them sepia!

Yorkshire Dales

Just got back from a few days in the Dales and the Lakes, not the greatest of conditions for landscape photos unfortunately, We did a nice walk around Buttermere taking in a few peaks. It was blowing a hurricane on the top of high stile so our descent was a bit hair raising. I've said it before and I'll say it again, I'm just bad at assessing risk, ironic considering I used to be a risk assessment consultant. Anyway, I got this one just north of Ingleton during a break in the clouds, I kept the sky under control with a neutral density graduated filter. The exif data was ISO100, 17mm 1/15 at f/16. Ingleborough is in the distance. The raw file was processed in Lightroom, adding a little clarity and a slight tone curve to increase the highlights. I burnt the clouds in CS3 and added a tinted BW adjustment layer.

Graduated Filters For Landscapes

Hi Folks, I've just been testing some new neutral density graduated filters and thought the comparison might make a good post for those considering buying some grads. I would say if you do a lot of landscape work, these things are essential. You can use HDR but it's extra work and results can be very hit and miss. Grads are basically rectangular bits of plastic that have a clear end and a shaded end. The shaded end is to compensate for the brightness of the sky, your brain does this automatically but cameras aren't that smart. You then expose for the land and if you have the right filter the sky should also expose properly instead of being 'blown out'. You can get 1, 2 & 3 stop filters, 3 being the darkest, and the one I used in this example. You normally have to buy a holder and an adapter ring to screw into the front of your lens. A firm called Cokin make reasonable filters, holders can be bought fairly cheaply off ebay. I actually started with hitech filters and would recommend them. Anyway these two photos were both taken using the same exposure, ISO100 f11 1/60 16mm (I wasn't going for an award winning shot so comments on composition etc aren't necessary) They are merely to show the effect of using grads.

Before
After

More Black & White Trees

Thought I would put this one up to keep ticking over, not an award winner I'm afraid but it what can you do. There has been some interesting weather at the moment, plenty of cloud breaks for the sun to peep through (and cloud bursts to soak you and whatever camera gear you have out at the time!). I wanted to do another high contrast mono similar to my infra red shed I posted a while back, which incidentally is being published in the May edition of Practical Photography (out April 23rd) if anyone cares.
This was taken at ISO100 f8 16mm 1/100 Sec, I had to use f8 because I was without a tripod and I had a polarizer on. I tweaked it in lightroom and then added a BW adjustment layer in CS3. For anyone who uses Ligthroom, version 2.0 is now out for free beta testing, so you can try it and report any bugs you find.

Adventures in Macro Photography

A bit of a lazy day photography wise today, I ended up getting back into my macro mode, I used to do quite a lot of macro stuff but haven't recently, (the same could be said for blog posts!) Anyway there were no fancy lights involved or even tripods used in this shot. It was taken over a sink of water with natural light from the outside causing the refracting in the bubbles to get the colour. The exif is as follows: 1/200 at f5.6 ISO800 with my sigma 50mm macro lens. I decided to stop when I started dipping my camera in the water. As the ISO was a bit higher than I usually like I ran it through noise ninja, a plugin for CS3 which does a good job of removing noise. I'm not sure about the open space at the top but I'm not a huge fan of changing aspect ratios so I left it in.