Striding Edge, Lake District

Another one from Saturday. This was a quick and dirty panoramic (non of that tripod nonsense) Camera on full manual with focus set to infinity and about 5 shots taken in portrait orientation with about 33% overlap from one photo to the next. Photomerge in CS4 is so good now it can get rid of any vignetting you might have or any geometric distortions that come with using wide angles. I wanted to use striding edge as a leading line up to the mountain but also wanted to include the tarn to the right. These were all taken at ISO200, 16mm, f/13, 1/125.

Helvellyn and Ullswater

Took a quick trip up to the lakes at the weekend as it seemed the weather was going to be good, unfortunately it was a little hazy so didn't get the camera out too often but these were a couple that seemed worth posting. I'll have to get there for sun rise one of these days. I didn't have my tripod so it was a hand holding compromise again between ISO, aperture and shutter speed, not too difficult in full manual, I even put the grad on on the lake shot as I new the clouds would be an important element.

The boathouse on Ullswater is very picturesque and there is usually at least one tog there trying to get something. Striding edge is a great part of the walk up Helvellyn, it was a shame the clouds were a little low but again, you really need to be there for the golden hours to get anything memorable.

Another Long Exposure Landscape

This is another one from the same shoot as my last post, the weather hasn’t been the best lately but I think it’s brightening up now so I will hopefully get out this week. Not vastly different from the shot I previously posted, this one is in portrait as I wanted to include a little more sky.
It was taken at ISO100, 21mm, f/8 30 seconds. I zoomed in a touch as I tend to get a little vignetting at 16mm when using a lot of filters. The flat water again comes from the 10 stop filter allowing for a 30 second exposure. I always try to shoot at ISO100 and had to use f/8 as that was the longest speed without going into bulb mode, I could have done 1 minute at f11 or 2 minutes at f16 plus, if I’d have gone to ISO50, this would have taken me to 4 minutes. Unfortunately I was getting hungry and the car park was closing!

Long Exposure Sunset

I was out taking this at a local water sports lake and I had a couple of points I thought might be useful to remember for this blog but have forgotten them! I think I'll have to get a ball head for my tripod at some stage, I have a three way head at present and they can be a little cumbersome, especially when composing a shot a few inches above the water. To make things even worse I had to look through the view finder upside down, not the most accurate way of getting the horizon level. This was taken with the 10 Stop filter that I'm using a fair bit lately. As these are so dense (in terms of light transmission) you have to compose and focus with the filter off the camera and then slide it into the holder, although I find it easier to take the filter and the holder off and just snap it on for the shot. I also had a graduated filter to prevent the sky from blowing out, very easy when including the sun. A good idea if you are using these long exposure filters is to get your exposure right without it on then just add 10 stops of light So say 30 clicks of increasing your shutter speed, or if you get to 30 seconds and don't want to go into bulb mode but have only done 6 stops (18 clicks if your camera goes in 1/3 stop increments), open up the aperture 4 stops (12 clicks). It seems a little difficult to get your head round but once you do it'll make things a whole lot easier and you'll always use full manual, for landscapes anyway. This was taken at ISO100 19mm, f/14 for 30 seconds. There is a little lens flare to illustrate my last point, ALWAYS clean your lens and any filters between the camera and subject, be it UV filters, ND filters or Grads, any dust when shooting into the sun will refract it and make the shot only good for blog tutorials or healing brush practice!

Black & Whites with lots of Grain

Last night I was messing around with a technique I had seen using soft focus and digital noise to try and replicate an old photography style probably similar to Holga type photos. It relied heavily on the image being slightly out of focus, converted to black and white and a lot of grain added.

Grain is the film equivalent of noise in digital and a lot of the purists say it can't be replicated, where as noise is a pretty horrible by product of shooting at high ISOs, grain can add another element to the photo. I originally though it would be better to use a high ISO (say, 3200) and try and add grain digitally. However the noise is a little uneven and seems to almost create bands on the image, especially if you increased the noise further by increasing the exposure in Lightroom.

With this image, and yes it was taken quite quickly with little compositional thought, I did use a high ISO and wide aperture and tried not to focus on anything in particular. I then used silver efex (a photoshop plugin) to do the conversion and add the grain. It is very user friendly and can add a wide variety of grain effects. I went a little overboard on this example perhaps but I think it could be used quite effectivly in future, possibly for those wedding shots that are good but let down slightly as they aren't quite tack sharp. This was taken at ISO3200, f/2, 1/1000 at 50mm.

Trees and Masts

I had a feeling we'd get a decent sunset this evening but I couldn't have been more wrong, a mite disappointing to say the least!
It was pretty windy up near Emley Moor Mast so I took the opportunity to get my 10 stop filter out and see if I could get a bit of cloud movement, notice the complete lack of interesting sunset in the background, that's breaking the rules for ya! The mast one was taken at f/5.6 ISO100 19mm 30 seconds.
The tree was taken about an hour earlier, I was using the fence as a leading line and side lighting from the low sun. You wouldn't believe it if I told you but when I was approaching there was a big mean looking cloud behind the tree that would have made a decent shot but alas it vanished and left me with a fairly plain blue sky.
The important lesson is not every outing is successful and this is why it's so rewarding to eventually 'get' a shot, I'm told golf is similar but I don't believe it for a second.